Download La invención del cuerpo (Serie menor) by Carmen Sánchez PDF

By Carmen Sánchez

En el mundo clásico, el pensamiento religioso, los hábitos sociales y los angeles divergencia entre lo masculino y lo femenino dieron lugar a un odd arte erótico cuyo estudio ayuda a entender l. a. compleja naturaleza de estas sociedades. Carmen Sánchez no plantea aquí un ensayo sobre l. a. sexualidad en el mundo griego y romano, sino un recorrido por el imaginario visible del erotismo clásico, donde los textos se han tratado como ilustraciones con l. a. intención de entender, explicar y, sobre todo, oír las imágenes.

Este libro explora el erotismo en el arte de los angeles cultura clásica, desde los angeles invención del desnudo público hasta l. a. construcción de las populares escenas de cortejo gay masculino, desde los angeles utilización del falo como amuleto hasta los angeles exploración de los angeles alteridad del erotismo sobrenatural y mágico.

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6 D. M. Reid, Whose Pharaohs? Archaeology, Museums and Egyptian National Identity from Napoleon to World War I (Berkeley: University of California Press, 2002). 7 W. M. K. Shaw, Possessors and Possessed: Museums, Archaeology, and the Visualization of History in the Late Ottoman Empire (Berkeley: University of California Press, 2003). 8 See Z. C¸elik, ‘‘Colonialism, Orientalism and the Canon,’’ Art Bulletin, 78/2 (1996), 201–5; Z. ), Orientalism’s Interlocutors, 26–31. 9 J. F. Codell and D. S. ), Orientalism’s Interlocutors.

My Statue of Liberty was a pure work of love, costing me the sacrifice of ten years and of twenty thousand dollars – little perhaps for Americans, but a great deal for me. 44 Darcy Grimaldo Grigsby The Egyptian affair would have been purely a business transaction. 9 The defensive tone is unmistakable, and so too is the desperate reaching for counterclaims. ’’ And also why. Differences in motive as well as media and scale are marshaled to prove that the Statue of Liberty, ‘‘a pure work of love,’’ was never offered to another government.

32 Celal Esad, ‘‘Osmanlı Mimarisi,’’ Ikdam, January 3, 1907. I discuss this article in The Remaking of Istanbul, 151–2. 33 Viollet-le-Duc, ‘‘Pre´face,’’ Les Arts arabes. ), Urbanite´ arabe (Arles: Sindbad/Actes Sud, 1998), 312, 320 n. 21. 35 For a discussion and images of Arnodin’s bridge, see C¸elik, The Remaking of Istanbul, 107–9. 36 Selim Deringil, The Well-Protected Domains: Ideology and Legitimation of Power in the Ottoman Empire 1876–1909 (New York: I. B. Tauris, 1998), 23–4. 37 For discussions of this tower, see Stefan Weber, ‘‘Der Marga-Platz in Damaskus,’’ in Damaszener Mitteilungen, 10 (1998), 316–17, and Diana Barillari, Raimondo D’Aronco (Rome: Laterza, 1995), 49.

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