By Apollinaire, Guillaume; Bohn, Willard; Apollinaire, Guillaume
The name of the current learn refers back to the indisputable fact that Apollinaire constantly labored on the innovative of recent aesthetics. the amount seeks to rehabilitate 4 experimental genres particularly that experience acquired fairly little consciousness. the 1st bankruptcy examines an enthralling artist's publication entitled The Bestiary, which positive aspects illustrations via Raoul Dufy. the second one is worried with a gaggle of poems that remember traditional, lifestyle. the subsequent bankruptcy considers Apollinaire's little-known debt to kid's rhymes. the ultimate bankruptcy discusses an avant-garde drama that used to be destined to play a key function within the evolution of recent French theater. This e-book should be of curiosity to somebody drawn to avant-garde aesthetics. it is going to charm not just to students of twentieth-century poetry but in addition to devotees of recent paintings and smooth theater
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Additional info for Apollinaire on the edge : modern art, popular culture, and the avant-garde
16 Resembling a still-life painting more than a conventional poem, “Le Repas” (“The Meal”) is an excellent example. Apollinaire describes a complete meal from beginning to end, the surroundings in which it takes place, and the people who are present at the table. In its simplicity (one is tempted to say purity) of line and in the formal organization of its elements, the poem is indistinguishable from, say, Cézanne’s Card-Players: Il n’y a que la mère et les deux fils Tout est ensoleillé La table est ronde Derrière la chaise où s’assied la mère Il y a la fenêtre D’où on voit la mer Briller sous le soleil ...
They had to be possible to pronounce, they had to possess two syllables (in order to preserve the initial rhythm), and they needed to be euphonious. 29 Although quite a few words end in da, nil, or di, the composition does not follow a coherent rhyme scheme. Apollinaire utilizes assonance instead because it provides more flexibility. ”31 In contrast to Keat’s “Ode on a Grecian Urn,” which illustrates one approach, “A Linda” does not represent a meditative exercise. Since it utilizes an alien vocabulary, any kind of explicit discussion is out of the question.
Apollinaire’s true heirs were the Dadaists, who attempted to re-invent poetry a few years later. Beginning with Hugo Ball’s “O Gadji Beri Bimba,” the Zurich group experimented with phonetic poetry, while Man Ray and others composed purely visual poems. Raoul Hausmann eventually combined the two strains to create optophonetic poetry. To be sure, poetry is not the only arena in which sound and typography play a fundamental role. For if poetry makes use of language, language inevitably encompasses poetry.